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Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

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The Good Story And The Bad Story

Vinta Nanda reflects on discussions surrounding the OTT guidelines announced by the government of India

How the war was won

Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...

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Eternal Virgin: Setsuko Hara

Among iconic names like Ozu, Kurosawa, Immamura and Koreeda is the name of Setsuko Hara who is celebrated as the ‘Eternal Virgin’, ...

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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna

Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

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Such Desperate Measures

Khalid Mohamed reviews the thriller Flat 211, the spy drama London Confidential and more showing currently on the streaming ch...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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Sex, lies and web chats

Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...

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Coming of Age: Child stars that could make it big

Film historian, Dhruv Somani, looks back at Bollywood’s babies and moppets who could make that tough transition to leadi...

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